Death Trap Read online

  Praise for John D. MacDonald

  “My favorite novelist of all time.”

  —DEAN KOONTZ

  “For my money, John D. MacDonald’s Travis McGee is one of the great characters in contemporary American fiction—not crime fiction; fiction, period—and millions of readers surely agree.”

  —The Washington Post

  “MacDonald isn’t simply popular; he’s also good.”

  —ROGER EBERT

  “MacDonald’s books are narcotic and, once hooked, a reader can’t kick the habit until the supply runs out.”

  —Chicago Tribune Book World

  “Travis McGee is one of the most enduring and unusual heroes in detective fiction.”

  —The Baltimore Sun

  “Remains one of my idols.”

  —DONALD WESTLAKE

  “A dominant influence on writers crafting the continuing series character.”

  —SUE GRAFTON

  “The Dickens of mid-century America—popular, prolific and … conscience-ridden about his environment … a thoroughly American author.”

  —The Boston Globe

  “It will be for his crisply written, smoothly plotted mysteries that MacDonald will be remembered.”

  —USA Today

  “MacDonald had the marvelous ability to create attention-getting characters who doubled as social critics. In MacDonald novels, it is the rule rather than the exception to find, in the midst of violence and mayhem, a sentence, a paragraph, or several pages of rumination on love, morality, religion, architecture, politics, business, the general state of the world or of Florida.”

  —Sarasota Herald-Tribune

  BY JOHN D. MACDONALD

  The Brass Cupcake

  Murder for the Bride

  Judge Me Not

  Wine for the Dreamers

  Ballroom of the Skies

  The Damned

  Dead Low Tide

  The Neon Jungle

  Cancel All Our Vows

  All These Condemned

  Area of Suspicion

  Contrary Pleasure

  A Bullet for Cinderella

  Cry Hard, Cry Fast

  You Live Once

  April Evil

  Border Town Girl

  Murder in the Wind

  Death Trap

  The Price of Murder

  The Empty Trap

  A Man of Affairs

  The Deceivers

  Clemmie

  Cape Fear (The Executioners)

  Soft Touch

  Deadly Welcome

  Please Write for Details

  The Crossroads

  The Beach Girls

  Slam the Big Door

  The End of the Night

  The Only Girl in the Game

  Where Is Janice Gantry?

  One Monday We Killed Them All

  A Key to the Suite

  A Flash of Green

  The Girl, the Gold Watch & Everything

  On the Run

  The Drowner

  The House Guest

  End of the Tiger and Other Stories

  The Last One Left

  S*E*V*E*N

  Condominium

  Other Times, Other Worlds

  Nothing Can Go Wrong

  The Good Old Stuff

  One More Sunday

  More Good Old Stuff

  Barrier Island

  A Friendship: The Letters of Dan Rowan and John D. MacDonald, 1967–1974

  The Travis McGee Series

  The Deep Blue Good-by

  Nightmare in Pink

  A Purple Place for Dying

  The Quick Red Fox

  A Deadly Shade of Gold

  Bright Orange for the Shroud

  Darker than Amber

  One Fearful Yellow Eye

  Pale Gray for Guilt

  The Girl in the Plain Brown Wrapper

  Dress Her in Indigo

  The Long Lavender Look

  A Tan and Sandy Silence

  The Scarlet Ruse

  The Turquoise Lament

  The Dreadful Lemon Sky

  The Empty Copper Sea

  The Green Ripper

  Free Fall in Crimson

  Cinnamon Skin

  The Lonely Silver Rain

  The Official Travis McGee Quizbook

  Death Trap is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  2013 Random House Trade Paperback eBook Edition

  Copyright © 1957 by John D. MacDonald

  Introduction copyright © 2013 by Dean Koontz

  A shorter version of this work has appeared in Cosmopolitan magazine, copyright © 1956 by The Hearst Corporation

  All rights reserved.

  Published in the United States by Random House Trade Paperbacks, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

  Random House Trade Paperbacks and colophon are trademarks of Random House, Inc.

  eISBN: 978-0-307-82719-7

  Cover design: Joe Montgomery

  www.atrandom.com

  v3.1

  Contents

  Cover

  Other Books by This Author

  Title Page

  Copyright

  Introduction

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  About the Author

  The Singular John D. MacDonald

  Dean Koontz

  When I was in college, I had a friend, Harry Recard, who was smart, funny, and a demon card player. Harry was a successful history major, while I passed more time playing pinochle than I spent in class. For the three and a half years that I required to graduate, I heard Harry rave about this writer named John D. MacDonald, “John D” to his most ardent readers. Of the two of us, Harry was the better card player and just generally the cooler one. Consequently, I was protective of my position, as an English major, to be the better judge of literature, don’t you know. I remained reluctant to give John D a look.

  Having read mostly science fiction, I found many of my professors’ assigned authors markedly less exciting than Robert Heinlein and Theodore Sturgeon, but I was determined to read the right thing. For every Flannery O’Connor whose work I could race through with delight, there were three like Virginia Woolf, who made me want to throw their books off a high cliff and leap after them. Nevertheless, I continued to shun Harry’s beloved John D.

  Five or six years after college, I was a full-time writer with numerous credits in science fiction, struggling to move into suspense and mainstream work. I was making progress but not fast enough to suit me. By now I knew that John D was widely admired, and I finally sat down with one of his books. In the next thirty days, I read thirty-four of them. The singular voice and style of the man overwhelmed me, and the next novel I wrote was such an embarrassingly slavish imitation of a MacDonald tale that I had to throw away the manuscript.

  I apologized to Harry for doubting him. He was so pleased to hear me proclaiming the joys of John D that he only said “I told you so” on, oh, twenty or thirty occasions.

  Over the years, I have read every novel by John D at least three times, some of them twice that often. His ability to evoke a time and place—mostly Florida but also the industrial Midwest, Las Vegas, and elsewhere—was wonderful, and he could get inside a
n occupation to give you the details and the feel of it like few other writers I’ve ever read. His pacing was superb, the flow of his prose irresistible, and his suspense watch-spring tight.

  Of all his manifest strengths as a writer, however, I am most in awe of his ability to create characters who are as real as anyone I’ve met in life. John D sometimes paused in the headlong rush of his story to spin out pages of background on a character. At first when this happened, I grumbled about getting on with the story. But I soon discovered that he could make the character so fascinating that when the story began to race forward again, I wanted it to slow down so I could learn more about this person who so intrigued and/or delighted me. There have been many good suspense novelists in recent decades, but in my experience, none has produced characters with as much humanity and truth as those in MacDonald’s work.

  Like most who have found this author, I am an admirer of his Travis McGee series, which features a first-person narrator as good as any in the history of suspense fiction and better than most. But I love the standalone novels even more. Cry Hard, Cry Fast. Where Is Janice Gantry? The Last One Left. A Key to the Suite. The Drowner. The Damned. A Bullet for Cinderella. The Only Girl in the Game. The Crossroads. All These Condemned. Those are not my only favorites, just a few of them, and many deal with interesting businesses and occupations. Mr. MacDonald’s work gives the reader deep and abiding pleasure for many reasons, not the least of which is that it portrays the contemporary life of his day with as much grace and fidelity as any writer of the period, and thus it also provides compelling social history.

  In 1985, when my publisher, Putnam, wanted to send advance proof copies of Strangers to Mr. MacDonald among others, I literally grew shaky at the thought of him reading it. I suggested that they shouldn’t send it to him, that, as famous and prolific as he was, the proof would be an imposition on him; in truth, I feared that he would find the novel unsatisfying. Putnam sent it to him anyway, and he gave us an enthusiastic endorsement. In addition, he wrote to me separately, in an avuncular tone, kindly advising me how to avoid some of the pitfalls of the publishing business, and he wrote to my publisher asking her to please carefully consider the packaging of the book and not condemn it to the horror genre. She more or less condemned it to the genre anyway, but I took his advice to heart.

  In my experience, John D. MacDonald, the man, was as kind and thoughtful as his fiction would lead you to believe that he must be. That a writer’s work accurately reflects his soul is a rarer thing than you might imagine, but in his case, the reflection is clear and true. For that reason, it has been a special honor, in fact a grace, to be asked to write this introduction.

  Reader, prepare to be enchanted by the books of John D. MacDonald. And Harry, I am not as much of an idiot as I was in years gone by—though I know you won’t let me get away with claiming not to be to any degree an idiot anymore.

  Chapter One

  When I read the small item in the Chicago paper and the whole world seemed to stop, I remembered that I had thought about Vicky that very morning, thought about her while I was shaving.

  That in itself was not too much of a coincidence, because I had thought of her often during the three years since I had seen her. Usually she came into my mind when I was depressed—in the middle of a sleepless night, or during the sour mood of hangover. That was when I thought of Victoria Landy. Any thought of her was merely another way of calling myself a damn fool. You never forget the chances you have missed, the good things you have thrown away.

  I felt a touch on my shoulder and looked up from the paper and realized that the waitress had been asking me something and had finally reached across the counter. “Something wrong with you?” she asked. She was blond and heavy and she looked concerned about me.

  “No. I’m okay. Sorry.”

  “I asked if you want some more coffee.”

  “Yes. Thanks.”

  It was just a small item on a back page. I had nearly missed it. The name had jumped out at me. Landy.

  APPEAL DENIED IN LANDY CASE

  Warrentown [UP]. Sept. 12. Today one of the last chances for Alister Landy, college student convicted of rape murder, flickered out when his attorney’s motion for a new trail was denied. In view of the wide interest shown in the trial and the nature of the crime, informed sources say that commutation of the sentence by the Governor is highly unlikely. It is expected that a new date for the execution will soon be set.

  That was all. But it was enough. It could not be a case of identical names. I could fill in too many blanks. Alister Landy had been in Sheridan College in the town of Dalton. Warrentown was the county seat, thirty-five miles away. And Alister was Vicky’s kid brother.

  I left the hotel coffee shop and went up to my room. I had not unwrapped some of the fishing tackle that had been delivered the day before. I unwrapped it and sat on the edge of the bed and tried to take some satisfaction from the look and feel of the good star drag reel, the fiberglass boat rod. But I couldn’t stop thinking about Vicky and about what this would be doing to her.

  I had thought about Vicky that same morning. I had felt depressed, and yet there were no good reasons for feeling depressed. I had just gotten back after spending two and a half years out of the country as assistant superintendent on the construction of two military airfields in Spain. Telboht Brothers, the construction firm I work for, had been the successful bidders. The job was over. I’d had enough of red tough rock and red baked sand and green local labor and broken-down equipment. I flew into Chicago and delivered some inspection reports and certifications to the home office and got straightened away with the payroll people and with the bank where my savings had been adding up.

  Sitterson, the Project Superintendent, was in, and I had a talk with him. It didn’t come out the way I thought it would. He seemed reserved, cool. He didn’t give me any information. I finally had to ask for it.

  “I’d like to take my full sixty days, Mr. Sitterson. But can you give me any idea of what job I’ll be going on when I report back in?”

  “Not right now. But there’ll be a place for you. You know that, MacReedy.”

  It wasn’t enough. I had expected to hear him say that they’d make me super on one of the small jobs. God knows I’d worked hard enough as Mooney’s right hand man during the two and a half years in Spain. I knew every phase of the work. Maybe theory was a little shaky, but I knew all the practical angles. But Sitterson wasn’t as cordial as he had been when he had flown over to check the job eight months before. He had called me Hugh then, and he had half promised a better job when the Spanish job was finished.

  I couldn’t figure out what had changed. Mooney had flown back to Chicago for a conference about two months ago. Probably they had discussed me. But I couldn’t see Mooney sticking a knife in me. He was too big a man to do it out of jealousy. And I knew he liked me. He was always after me to change my personal life. “Save your money, Hugh. You don’t have to spend every last dime.”

  “It’s adding up in the bank, isn’t it?”

  “Sure. For a big fling as soon as you get the chance. You’ve got a decent education, kid. You don’t have to live like a construction bum.”

  “My father was a construction bum, Al.”

  “I know, I know. And you know I was a kid engineer on that Oregon bridge job when the hoist cable let go. I knew Bucky and for a little guy he was all man. And he left you and your mother without dime one.”

  “I’ve got nobody to support, Al.”

  “Maybe you should have.”

  He kept after me like that. And he didn’t like it when I took ten days off in Spain. He didn’t begrudge me the ten days. I had earned them. But it pained him that I should take off with Felizia and spend the ten days at Fuengirola, swimming, eating, drinking and making love instead of going perhaps to Madrid and making like a tourist.

  Mooney certainly would have had to tell Sitterson that I performed on the job. If I could do the job, Telboht Brothers would ma
ke money and hit completion dates and keep the bonding companies happy. What I did in my off time was my own business.

  I spent two days and nights in Chicago with friends from the home offices. I got respectably drunk, bought a car and equipment for the trip I planned. I picked the car off a lot, a two-year-old Chrysler wagon. I found a garage that would let me use tools. I pulled the head and the wheels and found it worth buying. I installed rings, new front shocks and a new fuel pump.

  Then I was ready to go. I had sixty days and it was October and I knew just what I wanted to do. I wanted to drive down to Guaymas on the Golfo de California and fish. And I didn’t want to go alone. So first I would go to New Orleans and look up Scotty. Unless he had married, which was unlikely, his list would be as active as ever. And he would know what I wanted. Not a model, no young girl with delusions of eternal love—rather, a mature and restless woman who would like the idea of going with me to Mexico, who would want some laughs, want to catch some fish, and be willing to part when it was over without remorse or recriminations.

  Yet on the morning of the day I planned to leave Chicago I did not feel that special sense of excitement that goes with vacation. I had sixty days and six thousand bucks to spend and a good plan for spending it, but there was no lift. Instead, there was a feeling of depression, of let-down. I tried to attribute it to hangover.

  When you are depressed, the face in the mirror does not seem to be your own. My face showed a mixed heritage. My father was Scotch-Irish, a small wiry cat-quick man, tough and pugnacious, his face fist-marked by bigger men he had fought. My mother was tiny, a Pole with pale hair and tilted sea-gray eyes. Her half-dozen brothers were huge slow lumbering men. I had her eyes and her heavy Slavic cheekbones. I had his copper hair, streak-bleached by the savage Spanish sun. I had inherited height and bulk from the male side of her line, along with my father’s quickness. This combination had kept me from being marked as he had been marked. A small scar here under the eye. A slight flatness at the bridge of the nose. Nothing else. The deep tan was occupational and unmistakable, a tan shared by tropical sailors, by Miami beachboys, by Colorado prospectors and by construction workers.